• Книга "Why Narrative?. Readings in Narrative Theology".
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  • Книга "The Promise of Narrative Theology".
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  • Книга "WHY DID YOU COME IF YOU LEAVE AGAIN?. THE NARRATIVE OF AN ETHNOGRAPHER'S FOOTPRINTS AMONG THE ANYUAK IN SOUTH SUDAN".
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  • Книга "The Homiletical Beat. Why All Sermons Are Narrative".
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    1589 РУБ.

  • Do Muslims and Christians truly share Abraham? Is Abraham a starting point for dialogue among monotheistic faithcommunities? These questions have seldom been examined as thoroughly or as sensitively as they are here. Bristow rigorously analyzes biblical and qur’anic Abraham narratives and builds on the tight connection between narrative and worldview to lay the foundation for a careful and illuminating theological comparison between two portraits of Abraham and the two faith tradition in which they are embedded. In the course of building his argument, Bristow introduces an original model for analyzing the relationship of narrative to worldview and sheds important light on the function of Abraham for contemporary Turkish Muslims.Sharing Abraham? is an essential resource for anyone interested in narrative and worldview studies, comparative theology, biblical and qur’anic hermeneutics, Abrahamic dialogue, or Islam in Turkey.
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    3314 РУБ.

  • This book explores the narrative time of Konjowochu based on the theoretical approach of narrative time mainly introduced by Gerard Genette in Narrative Discourse and Shlomith Rimmon-Kenan in Narrative Fiction. Thus, the book demonstrates the three aspects of narrative time: order, duration and frequency in Konjowochu. The analysis of the time structure of this novel indicates that the time arrangement in the narrative is crucial for the understanding of the narrative.
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    6177 РУБ.

  • Книга "Practical Divinity Volume 2. Readings in Wesleyan Theology".
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    2452 РУБ.

  • The contemporary moment has been described in terms of both a "narrative" and a "performative turn," but the overlap between these two has largely escaped attention. This curious gap is explained by the ways in which scholars across the humanities have defined narrative and performance as opposite forces, emphasizing their respective affiliations with time vs. space and identity constitution vs. its undoing. Although the opposition has been acknowledged as false by many in this simple form, its shifting instantiations continue to shape the ways we make sense of the arts as well as society. Instead, An Aesthetics of Narrative Performance: Transnational Theater, Literature, and Film in Contemporary Germany by Claudia Breger maps the complexities of imaginative worldmaking in contemporary culture through an aesthetics of narrative performance: an ensemble of techniques exploring the interplay of rupture and recontextualization in the process of configuration. Interlacing diverging definitions of both narrative and performance, the study outlines two clusters of such techniques-scenic narration and narrative "presencing" in performance vs. forms of narrative theatricalization-and analyzes the cultural work they do in individual works in three different media: literature, film, and theater. These readings focus on the rich configurations of contemporary worldmaking "at location Germany." In the discussed representations of German unification, contem...
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  • Книга "Narrative Con/Texts in Dubliners".
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    7964 РУБ.

  • Narrating Space / Spatializing Narrative: Where Narrative Theory and Geography Meet by Marie-Laure Ryan, Kenneth Foote, and Maoz Azaryahu offers a groundbreaking approach to understanding how space works in narrative and narrative theory and how narratives work in real space. Thus far, space has traditionally been viewed by narratologists as a backdrop to plot. This study argues that space serves important but under-explored narrative roles: It can be a focus of attention, a bearer of symbolic meaning, an object of emotional investment, a means of strategic planning, a principle of organization, and a supporting medium.Space intersects with narrative in two principal ways: ''Narrating space'' considers space as an object of representation, while ''spatializing narrative'' approaches space as the environment in which narrative is physically deployed. The inscription of narrative in real space is illustrated by such forms as technology-supported locative narratives, street names, and historical/heritage site and museum displays. While narratologists are best equipped to deal with the narration of space, geographers can make significant contributions to narratology by drawing attention to the spatialization of narrative. By bringing these two approaches together-and thereby building a bridge between narratology and geography-Narrating Space / Spatializing Narrative yields both a deepened understanding of human spatial experience and greater insigh...
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  • Книга "Narrative Con/Texts in Ulysses".
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    9227 РУБ.

  • This book tries to investigate the application of major narrative techniques used in Achebe's novels. The main objectives of the book are identifying the narrative techniques used in Achebe's novels and pointing out the strengths and weaknesses of the novels in relation to the use of narrative techniques. In accomplishing the aforementioned objectives, the writer of this study tries to review relevant literatures in relation to narrative techniques. Then an attempt is made to go through Achebe's five novels in accordance with the reviewed literatures by focusing on point of view and narrative time.This book tries to give insights about narrative techniques to the students of literature. In addition, the study may also provide some important points, which can serve as a springboard for other in depth analysis on similar literary techniques
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    9614 РУБ.

  • Featuring contributions from leading scholars in the field, The Handbook of Narrative Analysis is the first comprehensive collection of sociolinguistic scholarship on narrative analysis to be published. Organized thematically to provide an accessible guide for how to engage with narrative without prescribing a rigid analytic framework Represents established modes of narrative analysis juxtaposed with innovative new methods for conducting narrative research Includes coverage of the latest advances in narrative analysis, from work on social media to small stories research Introduces and exemplifies a practice-based approach to narrative analysis that separates narrative from text so as to broaden the field beyond the printed page
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    14981.46 РУБ.

  • Time is one of the fundamental categories of human life experience in real and fictional world. Time can be represented in a narrative texts when it is said that time is one of the basic elements in the human experience of a fictional world. Time is almost the first thing that readers become aware of as he or she reads fiction. Because time in narrative, as Genette (1980) put it, treats the possibilities of temporal arrangements and presentations. In general, time in a narrative text deals with order, duration, and frequency of events in a narrative. For this reason, I choose to work on narrative technique, which is Narrative Time, and on the chosen novel because; firstly, Narrative Time is one big technique that contributes a lot to the development and interpretation of the novel under investigation; secondly, this work will narrow the gap that is found between the modern narrative techniques and current Ethiopian novels that couldn't get the attention of different scholars. Thus the Ethiopian novel entitled "Yalsekene Zema" is analyzed from three facets of Narrative Time; Order, Duration, and Frequency. The main analysis of sample events from the novel carried out in line with t
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    8777 РУБ.

  • Time is one of the fundamental categories of human life experience in real and fictional world. Time can be represented in a narrative texts when it is said that time is one of the basic elements in the human experience of a fictional world. Time is almost the first thing that readers become aware of as he or she reads fiction. Because time in narrative, as Genette (1980) put it, treats the possibilities of temporal arrangements and presentations. In general, time in a narrative text deals with order, duration, and frequency of events in a narrative. For this reason, I choose to work on narrative technique, which is Narrative Time, and on the chosen novel because; firstly, Narrative Time is one big technique that contributes a lot to the development and interpretation of the novel under investigation; secondly, this work will narrow the gap that is found between the modern narrative techniques and current Ethiopian novels that couldn’t get the attention of different scholars. Thus the Ethiopian novel entitled “Yalsekene Zema” is analyzed from three facets of Narrative Time; Order, Duration, and Frequency. The main analysis of sample events from the novel carried out in line with t
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  • Книга "Poststructural and Narrative Thinking in Family Therapy".
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  • Книга "Preaching Old Testament. Proclamation & Narrative in the Hebrew Bible".
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  • Книга "A Theory of Character in New Testament Narrative".
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  • Книга "Semeia 26. Narrative and Discourse in Structural Exegesis-John 6 & 1 Thessalonians".
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  • Книга "Nonviolent Story. Narrative Conflict Resolution in the Gospel of Mark".
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    2327 РУБ.

  • Narrative, Race, and Ethnicity in the United States, edited by James J. Donahue, Jennifer Ho, and Shaun Morgan, is the first book-length volume of essays devoted to studying the intersection of race/ethnicity and narrative theories. Each chapter offers a sustained engagement with narrative theory and critical race theory as applied to ethnic American literature, exploring the interpretive possibilities of this critical intersection. Taken as a whole, these chapters demonstrate some of the many ways that the formal study of narrative can help us better understand the racial/ethnic tensions of narrative fictions. Similarly, the essays advance the tools of narrative theory by redeploying or redesigning those tools to better account for and articulate the ways that race and ethnicity are formal components of narrative as well as thematic issues. Recognizing that racial/ethnic issues and tensions are often contextualized geographically, this volume focuses on narratives associated with various racial and ethnic communities in the United States. By engaging with new developments in narrative theory and critical race studies, this volume demonstrates the vitality of using the tools of narratology and critical race theory together to understand how race influences narrative and how narratology illuminates a reading of race in ethnic American literature.
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  • Книга "Narrative Approaches in Play with Children".
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  • Книга "Characters of Women in Narrative Literature".
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  • Книга "Irony in the Matthean Passion Narrative".
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  • Книга "Narrative, Literacy and Face in Interethnic Communication".
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  • Книга "Intellectuals and the State in Modern China. A Narrative History".
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  • Книга "Themes and Variations. A Study of Action in Biblical Narrative".
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  • Книга "Letters to Children in Family Therapy. A Narrative Approach".
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  • Книга "Narrative Obtrusion in the Hebrew Bible".
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  • Claudia Brodsky skillfully combines close readings of narrative works by Goethe, Austen, Balzac, Stendhal, Melville, and Proust with a detailed analysis of the relation between Kant's critical epistemology and narrative theory.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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  • This book analyzes a rich and diverse body of philosophical and theological literature concerning the import of narrative for the understanding of morality. Nelson begins by examining the theses that to understand oneself, a tradition, and history as a whole, they must be understood in the context of a narrative.Recent philosophical writings on the relation of narrative to the moral concepts of social groups and individuals--- including Alasdair MacIntyre's proposal for the rehabilitation of an ethic of virtue shaped by narrative--- are explored. Issues discussed include the freedom of moral agents in relation to their narratives, the relation between narrative and universal moral rules, and the problem of relativism. Next, Nelson classifies theological uses of narrative as belonging to either a liberal-universalistic or postliberal-particularistic tradition and considers the implications of construing scripture as narrative for the problematic relation between scripture and ethics. The work of Stanley Hauerwas, the foremost narrativist in Christian ethics, is analyzed at length. Nelson argues that while narrative is a necessary focus, it does not exhaust the methodological agenda. Narrative is not, as its advocates sometimes suggest, a universal solvent for every theological problem and disagreement. An adequate Christian ethics must not lose sight of the universal, narrative-independent features of morality. Since the realm of the moral is an interweaving of narrative-d...
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  • The theory of narrative level emanates from the general discourse or critique of all narratives known as Narratology which still is in its developmental stage. This book has made an attempt to explore this newly developing area aiming at identifying the narrative levels and interpreting the mechanisms utilized by the narrator in creating narratives bearing different levels in one of the Ethiopian bestselling Amharic novel "Dertogada" by yismake Worku. Traditionally scholars, authors, novelists and different individuals have been classifying the narrative and narrator of a fictional narrative as first person, and third person narrative/narrator without giving attention to the narrators that exist inside the text at character levels. Now, thanks to the theory of narratology in general and narrative levels in particular for introducing another techniques of narration. In this book, I have tried to extensively explore narrative levels giving greater emphasis to the character-narrators by classifying them under different levels as matrix narrative and embedded narratives.
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  • Written by participants of Cami Ostman's Seattle-based Narrative Project. Participants attend a nine-month course in intense instruction, coaching, and fellowship. The Narrative Projects produces an anthology every two years. Participants come from all parts of the world.
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  • Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across various media, introducing key concepts developed by previous theorists and contributing original ideas to the growing body of scholarship on stories. Includes an overview of recent developments in narrative scholarship Provides an accessible introduction to key concepts in the field Views narrative as a cognitive structure, type of text, and resource for interpersonal communication Uses examples from literature, face to face interaction, graphic novels, and film to explore the core features of narrative Includes a glossary of key terms, full bibliography, and comprehensive index Appropriate for multiple audiences, including students, non-specialists, and experts in the field
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    8549.39 РУБ.

  • Eight essays on science fiction and fantasy: "Narrative Strategies in Science Fiction," "Immortality in Science Fiction," "Why There Is (Almost) No Such Thing as Science Fiction," "Perfectibility and the Novel of the Future," "In Search of a New Genre," "Ecology and Dystopia," "Cosmic Horror," and "Growing Up as a Superhero." Complete with bibliography and index.
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    1387 РУБ.

  • This revised and expanded handbook concisely introduces narrative form to advanced students of fiction and creative writing, with refreshed references and new discussions of cognitive approaches to narrative, nonfiction, and narrative emotions.
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    4039 РУБ.

  • A Poetics of Unnatural Narrative offers a collection of foundational essays introducing the reader to the full scope of unnatural narrative theory: its meaning, its goals, its extent, its paradoxes. This volume brings together a distinguished group of international critics, scholars, and historians that includes several of the world's leading narrative theorists. Together, they survey many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, "realism," nonfiction, hyperfiction, and narrative poetry. Rarely have these fundamental concepts been subjected to such an original and thoroughgoing reconceptualization. Much of the book is directed toward an investigation of experimental and antirealist work. Each essay focuses on texts and episodes that narrative theory has tended to neglect, and each provides theoretical formulations that are commensurate with such exceptional, albeit neglected, works. A Poetics of Unnatural Narrative articulates and delineates the newest and most radical movement in narrative studies. This anthology will be of great interest to students and scholars of narrative studies and of the history and theory of modern fiction.
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  • Five travellers meet on a train: a teacher, a technologist, an educational researcher and two children. As they travel across the continent towards the Future of Learning conference, they exchange their stories. This book explores the ways in which new technology can support storytelling skills in learners. Written in the form of discussions between teachers, learners and researchers, it is an accessible introduction to issues in educational storytelling and technology. "A challengingly thoughtful book about narrative, daringly written in the narrative form.Bravo!" Jerome Bruner, New York University. "This is the perfect introduction to the possibilities of narrative learning...I warmly recommend Inside Stories: A Narrative Journey to creative educators of every variety." Dr Donald Smith, Director of the Scottish Storytelling Centre.
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  • In Somebody Telling Somebody Else, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to accomplish particular purposes in relation to particular audiences. Phelan explores the consequences of this shift for an understanding of various elements of narrative, including reliable and unreliable narration, character-character dialogue, and occasions of narration. In doing so, he offers new readings of a wide range of narratives from Jane Austen's Pride and Prejudice to Joan Didion's The Year of Magical Thinking, from Joseph Conrad's Lord Jim to George V. Higgins's The Friends of Eddie Coyle, from Franz Kafka's "Das Urteil" to Toni Morrison's "Recitatif," from David Small's Stitches to Jhumpa Lahiri's "Third and Final Continent," from John O'Hara's "Appearances" to Ian McEwan's Enduring Love. Phelan contends that the standard view of narrative as a synthesis of story and discourse is inadequate to handle the complexities of narrative communication, and he demonstrates the greater explanatory power of his rhetorical view. Furthermore, Phelan gives new prominence to the presence and activity of the "somebody else," as he shows that an audience's unfolding responses to a narrative often influence its very construction.
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  • Книга "Gardens in Babylon. Narrative and Faith in the Greek Legends of Daniel".
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